Tasp to simulate the circum flex
Nemo quality on the knife sedge
Don’t be so judgmental
From the adjoining apartment
In between palpable blows
Of unmistakable pleasantry
Which is mero gratifying
Stacking the blocks
Or knocking the mover
The mask is a transmitter
Ostend slippy concealment
Unbeknownst %ages
Did jever notice
How waverly
Is the solid line
Everybody owns the backslash
So eat pus to the asshole who’ll
Stake a vertiginous claim
Mistah Kurtz
Another gum lug
Snog as a gam
Trends and tradeoffs seek equilibrium
Newtonian riddles
Cornet tasp as dupecation
Senatized for your projection
Nothing’s so condescending
As perineal disturbance
The seams are the best part
Why plow them under
Verses and vermin
Crawl in and aout
Do I represent myself
Well then why don’t you grab a partner
Large and containing mezzotints
Guess what’s she shoulding
Still in the downward clause
Probably best not to mention
That particular implement
S J C E S & repeat
It doesn’t take a mealymouth
To object to the braided fata
Wyrd sisters and their potable Hermes
Things as such in the room
Distinct preeminence
My kingdom for an enclosure
Thy soft-conched ear
They have a grass called saw
The entomology of ant or sand
Portents and masterclasses
Give as a glimmer
Circulatory ideogram
But still
Don’t reject it just cause its green
The system is slipping
More like a gelato maker
Than a conveyor belt
The marrow and the limp
That starts and ends like fire truck
Vol 3 the uses of pressure
Transcendental Assessment of Secular Performance
Homophonic transliterabion
Hail hail Hedonia
Home of characters without phonemes
Char of hamsters within phenoms
Champ in some star*